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James Vincent McMorrow may not be a household name yet but his voice is unique and distinctive, it’s only a matter of time when that accolade will be deemed appropriate. For those who can’t put a face to the name, have a listen to McMorrow’s cover of Steve Winwood’s ‘Higher Love’, ultimately his most recognisable work to date. ‘Higher Love’ featured on adverts for Film 4 and Sky Sports showcasing his soft, endearing vocal range, eventually becoming a Top 10 hit. Post Tropical is the triumphant sophomore album, following debut effort Early In The Morning, demonstrating his maturity as a songwriter and composer.
Having rediscovered some of his previous recording material prior to creating this record, McMorrow’s confessed love for Hip Hop and Soul influenced this record but in ways you can’t imagine. Opening with lead single ‘Cavalier’, the Irish songsmith’s haunting and soulful falsetto instantly have you drawn in. ‘Cavalier’ pays homage to McMorrow’s unique style and his own take on a ‘slow-jam’, throughout the duration of this record new sounds and textures are often explored with such delicate delivery; the waterfall effect of 12 mandolins on the charming and soulful ‘The Lakes’, the haunting and brooding 808s on ‘Red Dust’ and the looped piano melodies on ‘Looking Out’.
Being labelled the Irish Bon Iver comes with being a compliment yet also an insult in some regards after listening to this record. McMorrow’s vocals possess a trait that can reach different heights and ranges as each track ends and another begins, which is evident on ‘Gold’ and ‘All Points’.
Post Tropical is intriguing yet sensuous; it’s warm and familiar but also unexpected. This isn’t a stereotypical folk record, its minimalist at times with glimpses of electronic infused R&B, almost James Blake-esque. Post Tropical is a heartfelt and intelligent follow up to his debut Early In The Morning. A nomination for this year’s Mercury Award could well be in the pipeline for the accomplished folk maestro.
