12. 'Lights Out, Words Gone' - This track oozes laid-back sunny vibes. Featuring long time collaborator and close friend of the band, Lucy Rose, it's the musical embodiment of all those blissed-out summer nights in the open air.
11. 'Ivy & Gold' - Although Flaws' direction split opinion among many fans, the band's acoustic experimentation gave us this gem of a track. Featuring the lyrics "oh what a delicate time", that's exactly what this is - a simple, but delicate tale of a love gone wrong.
10. 'Dust On The Ground' - "Well I met you right / but I kept you wrong" croons Steadman on this track. With all the dark imagery in the lyrics, it paints a depressing picture of a tense relationship, and does so with menace and a great guitar riff.
9. 'Whenever, Wherever' - This opening is airy and atmospheric, but when the drums kick in 'Whenever, Wherever' develops a groove. The two parts work together seamlessly and the track is a great example of the polished production of So Long See You Tomorrow
8. 'Shuffle' - Bombay burst back onto the scene when they released this as the first single from A Different Kind Of Fix. It showcased the band's more experimental, progressive and synth-based sound - a buoyant number built to dominate festivals.
7. 'Home By Now' - Lucy Rose's lent vocals on this track make it all that it is, really boosting the airy chorus. With slight shades of hip-hop and light guitar, as well as that keyboard driven hook, it's another stunner from So Long, See You Tomorrow.
6. 'Magnet' - The spiky riff in the introduction immediately shakes everything up. Heard live, people sing along to soaring guitar in the chorus while Steadman chants "Into the backseat / everyone was happy" over the top of the crowd. It's straight up indie rock and it's pretty epic.
5. 'Carry Me' - Probably as close to house music as Bombay Bicycle Club are going to get. The distorted bass and drum led beat give the track an undeniable dance feel, especially when Steadman's lyrics 'you carry / you carry me' start to loop. A masterclass in textured production.
4. 'How Can You Swallow So Much Sleep' - Okay, so the lyrics don't really make sense, but they don't really need to. The into feels like sunshine on your back, and then the beat kicks and the track takes off running. If you walk with this song playing, you're going to end up strutting.
3. 'Feel' - Steadman found out he'd accidentally sampled one of India's most famous sounds after being captivated by Bollywood's music whilst travelling in India. The result is the inspired and infectious 'Feel' and it sounds like an absolute celebration.
2. 'Always Like This' - The stand-out track on their debut and the song they've played live the most times, 'Always Like This' sports a dark sounding groove, propelled forward by the addictive guitar riff and drum beat. The repeated 'I'm not whole' as the song ends becomes a euphoric chant at live shows and leaves a lasting impression.
1. 'Luna' - Rae Morris makes the chorus soar, the introduction sounds like something from heaven and the song seems to float above you. Just before the end it breaks down and fuzzy guitars keep the song from entirely taking off. This is a song that was made to be heard in the open air so you can be as free as the song makes you feel.