Suicide Squad: It might have been, to put it politely, panned by critics, but the Suicide Squad soundtrack has gone down a storm. With original tracks from Grimes and Twenty One Pilots as well as a cover of ‘Bohemian Rhapsody’ by Panic! At The Disco, it’s as bizarre and all-over-the-place as the film itself. But in a good way.
High Rise: Whilst the score itself is undoubtedly great, it’s absolutely criminal that Portishead’s beautiful, haunting cover of ABBA’s ‘SOS’ isn’t included on the soundtrack album.
Stranger Things: The supernatural drama, which is set in ‘80s rural America and focusses on the strange mystery around a missing boy, not only has a killer list of ‘80s songs played throughout - most crucially, The Clash’s ‘Should I Stay Or Should I Go’ - but it also has an intense, creepy original score composed by S U R V I V E’s Kyle Dixon and Michael Stein.
Belgica: The soundtrack to the critically acclaimed Belgian drama film was composed entirely by Soulwax, who created 16 different fictional bands, all distinct from each other, each with their own single. Impressive stuff.
Straight Outta Compton: If the N.W.A. biopic didn’t have a good soundtrack, something must have gone seriously wrong. Plus, it was accompanied by Dr. Dre’s Compton album, inspired by the movie - his first in 17 years.
Sing Street: The Irish musical comedy-drama is about a schoolboy who starts a band to impress a girl - so its soundtrack was crucial. Much of the original music as written by Gray Clark, while Maroon 5’s Adam Levine also co-wrote a song. The rest of the soundtrack comprises the likes of The Cure, A-ha, Duran Duran, The Clash and more - in other words, pure ‘80s gold.
Love: We defy you to watch this Netflix series and not have Violent Femmes’ ‘Blister In The Sun’ in your head for a good three weeks.
Deadpool: The soundtrack to the comedy superhero film is a mixture of original score (which is brilliantly synth-heavy) and older songs like Salt-N-Pepa’s ‘Shoop’ and DMX’s ‘X Gon’ Give It To Ya’.
The Jungle Book: Much of the music from the animated original was discarded for Jon Favreau’s live action / CGI remake. A few made the cut though, the best of which is Scarlett Johansson’s sultry, sinister rendition of ’Trust In Me’.