'Shades Of Cool': Born To Die was packed full of brilliant, immediate pop songs but on Ultraviolence, Del Rey has focused on atmosphere and elegance over digestible pop tunes. A sombre, roadhouse ballad, 'Shades Of Cool' has hints of David Lynch in its slowly swaying melancholy, and even boasts touches of acclaimed Japanese composer Akira Yamaoka in places. It grows to a squealing, unsettling middle-eight where Del Rey is all-but drowned out by Auerbach's guitar but remains perfectly measured and expertly paced throughout. 8/10