Most artists, whether it's to protect someone's privacy or to retain a sense of intrigue, are extremely protective when it comes to the specifics of their songs. Ask them who, exactly, their music is about, and their response is very often a variation on "No comment."
There are a few songs though, and massive ones at that, for which we know exactly who the subject is. The subject of Pulp's 'Disco 2000' was Deborah Bones, with whom Jarvis Cocker grew up. Her name, he sings, never suited her. Leonard Cohen's 'Suzanne' felt as if she'd had her privacy invaded by the song, and Glasvegas' 'Geraldine' says, "It's probably one of the most special things anyone will do for me."
Here are the stories of 12 ordinary people, who have been immortalised, whether they like it or not, by music.