More about: Fake Names

Forming a punk supergroup like Fake Names means you have some of the most talented American punk musicians, including Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish), creating really interesting political music ideas. Their self-titled debut album is evidence of this.

Lyrically, the record packs a punch. Fierce critiques of capitalism take centre stage on opening track 'All For Sale’, which seeks to criticise our common acceptance of a system which gives advantage to the richest in society. Guitars compliment each other, rather than clash, giving a really strong melody overall.

‘Heavy Feather' has got a uniqueness about it, with a blend of blues, rock and big, punching verses, however, there are some more classic and garage rock themes throughout, blending into an overall American punk feel. On ‘Darkest Days’ there are some similarities with songs by other American rock bands like Foo Fighters’ ‘Everlong’.

Fake Names have spoken of their record, explaining it, “speaks to the way we did things as kids.” But that might be the issue with this album. A lot of the sounds are what we’ve become accustomed to with American punk, and, with a huge revival and a scene that’s ever changing, there was definitely room to see something a bit different.

The sounds are clean and measured, with their talent and experience clear indicators of a really well put together record. The messages are also important, with ‘First Everlasting’ calling for us to understand the role we play in our own lives, and ‘Brick’ further slamming the status quo, giving us a revolutionary anthem.

Fakes Names’ debut is lyrically important, brilliantly produced and is technically superb. However, it leaves more to be desired. It’s a solid debut and there is obvious skill behind it, with some really fun songs that will play incredibly well live, but ultimately, the album lacks somewhat in experimentation.

Fake Names is out now via Epitaph Records.

More about: Fake Names