When ‘Illinois’ was proclaimed one of the best albums of 2005, despite its musical greatness and critical plaudits, it was all a bit perplexing for some - especially considering the odd vocals and catchy, amped up, dance-rock it served up. But tonight, Sufjan Stevens proves he really is something special and earns a place in everyone’s hearts. The ability to play just about any instrument, then write tales of places and types of people most of us would never think of, and collate this all into gentle anthems that grow in appeal with each listen? Oh, this "Soof-yan" guy.
After the release of ‘The Avalanche’ and in anticipation of ‘Songs for Christmas,’ Sufjan Stevens' tour has unsurprisingly been selling out too fast. Understandably, this is no normal concert. First of all, being seated at a show. Like going to the opera or an oration - a special occasion where the audience adored their host so much, they couldn't move and had no need for drinks, swaying, or other distractions.
The band flutter onto the stage and finally, and Sufjan takes to his piano. Every song is more beautiful and radiant live. As expected really. On top of this, the show has a thirty member choir (Pacific Mozart Ensemble) transcending the marching band backup into an epic takeover. Sufjan’s voice is delicate in delivery, strong in effect and lingers with the listeners as it echoes throughout the hall. In between songs, our storyteller delivers with a subtle humor that summons a chuckle from everyone. And to send us skipping home, hundreds of inflatable Santas and Supermans flung out for the audience. It’s reminds how strange it is for folk to feel so new.
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