Stop The Search - Senses Fail

For a musician, joining an established band can be difficult. There’s always the danger that you’ll forever be perceived as the “new guy”, unable to fit in alongside people already accustomed to each other’s presence and habits. However, for Heath Saraceno, guitarist with New Jersey’s finest exports of emo tinged hardcore punk, Senses Fail, that hasn’t been a problem. After joining the band as a fill in guitarist in 2005 it seems he’s found the adjustment easy to make. He explains: “I started touring with them as a fill in and we started writing on that tour. It was an easy fit from day one, I went and learned songs and we started playing together and it just felt like a click. There wasn’t much time [for me to feel like the new guy]. A lot of it has to do with the fact that we practiced for a month and a half before we left for tour, we practiced like 3-5 days a week, they got to know me really well and I got to know them really well! By the time we went on tour we already had an understanding.”

Now firmly established as one of the band, Saraceno is eager to talk about his first record with the group, last year’s ‘Still Searching’. The follow up to 2004’s debut, ‘Let It Enfold You’, the album sees the band expand on the template set on their debut. According to Saraceno, one of the band’s biggest problems was having too much material. “We just wrote a ton of songs, we probably had ideas for 30-40 songs and we finished about 25-30 of them and they were all a little bit different. They were songs that sounded a little cock rock, we had songs that sounded like early 90s alternative shit, we had some really metal songs. We recorded all of them ourselves and we started picking and choosing and trying to find the most cohesive songs that would create a record that would sound like it was from one band”.
 
Of the 13 tracks that did finally make the album there’s a few that stand out in the guitarist’s mind as best exemplifying what the band are about. He feels that “A couple of tracks definitely stand out, ‘Priest And The Matador’,  ‘The Rapture’, ‘Sick Or Sane’, ‘Can’t Be Saved’. I think if you took those tracks and put them in a blender that’s how you could sum up the tone of the record.”

That slightly disturbing visual aside, it is clear the band recorded with a lot of ideas flying about, trying to create the right mixture. Saraceno adds another, less disconcerting analogy to describe how the creative process worked. “We went in without having any boundaries. We wrote like that and then had to pull in the reins a little bit. And that’s how we then picked the songs for the record. Some days were like a big tidal wave of musical ideas! And other days it was like just trying to pull it… like working with dough and trying to turn that into a pizza, stretching it out! Trying to figure out where it was going, all these different things.”