- by Hazel Sheffield
- Friday, April 11, 2008
Rock Stars - Death Cab For Cutie
There’s been a rumour about town of late that Death Cab for Cutie have gone mad. It all started when guitarist Chris Walla told MTV back in October that the new album would be “a crazy, weird, heavy-rock record.” Then, last month the first single was released; called ‘I Will Possess Your Heart’, it clocks it at a mammoth eight and a half minutes. Hardly radio friendly, then. Even odder, for a band whose fanbase has grown largely around Ben Gibbard’s ability to translate the soppy into song, the first single sports a five-minute instrumental introduction before getting into any kind of lyrical lament. With their sixth album, ‘Narrow Stairs’, due for release this coming May, Gigwise decided to give Ben himself the chance to explain all this sudden musical insanity…
Ben Gibbard, Death Cab’s moonfaced frontman, is almost breathless with anticipation as he starts to talk about ‘Narrow Stairs’. “Well, we’re all incredibly proud of this record,” he begins. “It’s pound for pound a lot more rock tunes, and I think far less glossy than the last record as far the production sense. It’s got a kind of abrasive element to it that’s more akin to how our live show is, and some of the quietest, minimal moments that we’ve had.”
Now, quiet and minimal at times, maybe, but when did we ever associate Death Cab with “rock tunes”? It was the gliding emo-electronica of Transatlanticism, back in 2003, which first had kids gazing sorrowfully at bedroom ceilings after the girl from maths turned them down in the playground. There’s always been something charming in the floating piano loops and frank-but-emotionally-connected lyrics that allowed Death Cab to progress from obscurity into mainstream cool, a position that was cemented with their appearance on America’s cult series, the O.C., back in 2005. So all this talk of “rock tunes” seems pretty out of character for a band that have made a name for themselves with glacial, synth-led pop-songs.
But Ben doesn’t seem to think the leap is too great for Death Cab. “I think that if someone has been a fan of the band for the last handful of years they’ll definitely find things in this record to really enjoy.” His relaxed attitude seems to be derived from a sense that the progression towards guitar-led rock music is a natural one for Death Cab, and one that they’re hopeful their fans will embrace, too. “Our primary goal has always been to make music that we feel is inspired, and that we feel has a quality that we feel putting out in the world, and we feel fortunate at this point that that has translated into some modicum of commercial success. So if there is commercial success to be had with a record like we’ve just made then of course we would like to revel in that, but if that’s not on the cards I don’t think any of us would feel as if we had failed in any capacity.
“Our song are songs, you know, they’re hummable, they’re pop songs, I don’t think there’s anything about this record of any record that we’ve made that the world is not ready for. If we don’t get played on the radio as much as we did last time that will be of course a little disappointing, but not the end of the world. It has never been a motivation for why we’ve made records.”
The emphasis on the music is one that obviously shines through on records like ‘I Will Possess Your Heart’, with its delayed vocal entry. Ben seemed conscious that this is very different style of writing than what fans might be used to as he explained, “as Nick put the bass line in we started kind of playing with the song. The idea was that we just kind of played it and let the themes kind of build and when it feels right really dive into the lyrics… and it just so happened that that was five minutes into the song. As it was going down on tape we realised that we had never presented a song this way before, but I hope people accept it from us, I don’t think it’s such a wild departure that we’ll lose people.”
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