![1. 'Down In The New Up': A bleak but opulent disorientating masterpiece, worthy of far more standing in Radiohead's canon and more frequent outing in live sets - the epitome of Yorke at his most underrated.]()
1. 'Down In The New Up': A bleak but opulent disorientating masterpiece, worthy of far more standing in Radiohead's canon and more frequent outing in live sets - the epitome of Yorke at his most underrated.
![2. 'Fog': Again, it's just baffling that a band like Radiohead can have so many beautiful b-sides that utterly trounce the majority of other band's singles.]()
2. 'Fog': Again, it's just baffling that a band like Radiohead can have so many beautiful b-sides that utterly trounce the majority of other band's singles.
![3. 'This Mess We're In': One of many highlight's on PJ Harvey's Mercury-winning Stories From The City, Stories From The Sea, this is the ultimate blackened love letter where Yorke's angelic mournful tones stand at perfect juxtaposition to Polly Jean's sultry sighs. Bloody brilliant.]()
3. 'This Mess We're In': One of many highlight's on PJ Harvey's Mercury-winning Stories From The City, Stories From The Sea, this is the ultimate blackened love letter where Yorke's angelic mournful tones stand at perfect juxtaposition to Polly Jean's sultry sighs. Bloody brilliant.
![4. 'I've Seen It All': A collaboration with Bjork and taken from her astounding soundtrack to Dancer In The Dark, this is the sound of two of the most important artists of the last 30 years at the peak of their powers.]()
4. 'I've Seen It All': A collaboration with Bjork and taken from her astounding soundtrack to Dancer In The Dark, this is the sound of two of the most important artists of the last 30 years at the peak of their powers.
![5. 'Rabbit In Your Headlights': A collaboration with UNKLE that's almost unbearably morose but inescapably captivating, not least for Yorke's vivid, dystopian lyrics.]()
5. 'Rabbit In Your Headlights': A collaboration with UNKLE that's almost unbearably morose but inescapably captivating, not least for Yorke's vivid, dystopian lyrics.
![6. 'Bangers N Mash': Yet more proof that In Rainbows was probably Radiohead's finest moments, this off-cut is the sound of Yorke at his funkiest. Everything about it rules: the ferocious rhythm, the choppy-Greenwood guitar, Yorke's half-rap angry vocal and the fact that he played drums on it when they aired it live. Youtube it, you won't regret it.]()
6. 'Bangers N Mash': Yet more proof that In Rainbows was probably Radiohead's finest moments, this off-cut is the sound of Yorke at his funkiest. Everything about it rules: the ferocious rhythm, the choppy-Greenwood guitar, Yorke's half-rap angry vocal and the fact that he played drums on it when they aired it live. Youtube it, you won't regret it.
![7. 'After The Gold Rush' - Dogged by Neil Young comparisons in his early career, Yorke takes on one of his classic tracks on The Bridge School Concerts' 25th Anniversary album to prove that he had more than grown comfortable in his own voice - turning the Young staple into a towering thing of aching beauty that arguably rivals the original.]()
7. 'After The Gold Rush' - Dogged by Neil Young comparisons in his early career, Yorke takes on one of his classic tracks on The Bridge School Concerts' 25th Anniversary album to prove that he had more than grown comfortable in his own voice - turning the Young staple into a towering thing of aching beauty that arguably rivals the original.
![8. 'Palo Alto' - One of Radiohead's last true Rock songs (with a capital R), this explosive chunk of searing angst and guitar may be a b-side from the OK Computer era, but most bands of the 90s would have killed to have it as their own A-side.]()
8. 'Palo Alto' - One of Radiohead's last true Rock songs (with a capital R), this explosive chunk of searing angst and guitar may be a b-side from the OK Computer era, but most bands of the 90s would have killed to have it as their own A-side.
![9. 'This' - This Modeselektor track featuring Yorke as guest is pretty unintelligible, but proves that Yorke's voice is a instrument in itself when it comes to painting a pretty mesmeric and cinematic soundcape.]()
9. 'This' - This Modeselektor track featuring Yorke as guest is pretty unintelligible, but proves that Yorke's voice is a instrument in itself when it comes to painting a pretty mesmeric and cinematic soundcape.
![10. 'El President' - This is a number by somewhat forgotten band Drugstore featuring Yorke on guest vocals, it's the perfect showcase of Yorke's pining, operatic vocal blooming into something pretty stratospheric. It's also probably the best pop song about the 1973 Chilean coup d'etat that you'll ever hear.]()
10. 'El President' - This is a number by somewhat forgotten band Drugstore featuring Yorke on guest vocals, it's the perfect showcase of Yorke's pining, operatic vocal blooming into something pretty stratospheric. It's also probably the best pop song about the 1973 Chilean coup d'etat that you'll ever hear.
![11. 'Staircase' - A track released along with the equally beautiful 'Daily Mail' post-The King Of Limbs, 'Staircase' is a textured web of subtlety and beauty. If they keep wondering down this path, then Radiohead's next album could well be their best yet.]()
11. 'Staircase' - A track released along with the equally beautiful 'Daily Mail' post-The King Of Limbs, 'Staircase' is a textured web of subtlety and beauty. If they keep wondering down this path, then Radiohead's next album could well be their best yet.
![12. 'Killer Cars' - A cult favourite among Radiohead fans from way back in '94, it never made it on to a studio album but definitely ranks among one of the 20th Century's great lost guitar anthems.]()
12. 'Killer Cars' - A cult favourite among Radiohead fans from way back in '94, it never made it on to a studio album but definitely ranks among one of the 20th Century's great lost guitar anthems.
![13. 'Jetstream' - A skittering and foreboding b-side from solo debut The Eraser that proves all Yorke needs to captivate is his voice, a little rhythm and a paralysing sense of doom.]()
13. 'Jetstream' - A skittering and foreboding b-side from solo debut The Eraser that proves all Yorke needs to captivate is his voice, a little rhythm and a paralysing sense of doom.
