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Wednesday 22/05/08 MGMT, Florence and the Machine @ The Astoria, London

Wednesday 22/05/08 MGMT, Florence and the Machine @ The Astoria, London

Florence and the Machine thrive on a seething Astoria – the vocals sit somewhere between Laura Marling and Mirah and her persona is a far giddier and more excitable swirling, saccharine affair. Opening with a cover of Cold War Kids’ ‘Hospital Beds’, they play a short set including ‘Girl With 1 Eye’ and ‘Kiss With A Fist’; it’s a delight to the ears and eyes for the half hour it’s on, but it ends at the right moment. Captivating, never whimsical and with a set of lungs to rival Shirley Bassey, it’s certainly an impressive showing. Unfamiliar songs begin to blur into each other too much after a while, as the one (albeit quite lovely) trick begins to tire. All the same, the set is played out by Florence Welch with the energy of a child trying to impress – it’d just sit better in a smaller venue. For now.

MGMT, on the other hand, invoke something completely different. Their debut album 'Oracular Spectacular' is chocka with dazzling hooks; truly one of 2008’s essential albums. It’d be impossible to moniker their songs “to the point”, but they’re certainly a unified call out of hyperbolic-scale electro. Very together, always pushing forward. Live, it’s like this: the conciseness is reduced to an unstructured mess of rehearsal room jamming where the band completely forget that there’s an audience there watching them. The “set” is shorter than the “encore”, the latter being longer in time than the former and consisting of some very strange occurrences – there’s unintroduced songs that feel like they’re being played for the first time, a strange caterwauling noise sporadically making itself known and the general feeling of an overdrawn, pretentious mess of noise. And the weirdest moment yet occurs when the touring members of the band disappear from the stage and ‘Kids’ suddenly starts out of nowhere – funnily enough sounding exactly like the version on the album. It turns into just that, a backing track being played to a still up for it crowd and at the end, the drum machine being politely battered with a guitar solo laid over the top. They keep talking about wanting to “fuck around” and arguably, that’s what they do – the album track plays out with WynGarden and Goldwasser undulating on the floor somewhere. What even is this? Is no-one else wondering whether we’re part of some sort of Beadle’s About 2.0? Everything that could be augmented is, over and over – they run way over their 11pm curfew in fact. But the crowd lap it up, all the same.

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(2)
  • Me an Boyfriend were so excited about this gig, the album is fantastic! Well all I can say is what a BIG disappointment. We weren’t taken with the support either but expected so much more than a bunch of egotistical cross-dressers playing for themselves - and what WAS that beginning all about! Flaming Lips - MGMT certainly are NOT! The highlight of the evening was seeing Mr Lightspeed Champion in the bar.....now theres a star!

    ~ by Vikki Gale, Kent 5/23/2008

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  • One of the worst live performances I’ve EVER seen. Made all the more disappointing as the recorded album is superb and to see it replicated so poorly live was astonishing. No stage presence, no visuals to make up for this fact, not even a cursory light show adding anything. Bored, introverted shuffling on stage, no crowd rapport and no attempt to build one. Poor sound quality and mixing made even their singles sound terrible. Members of the audience were complaining and leaving early.

    ~ by Resident 6/30/2008

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