More about: Anderson Paak
Dre's newest protégé on early struggles, Idris Elba + attention to detail
Remember Beanie Sigel’s ‘The Truth’? Well if it were to be used as a theme song for an artist hailing from today’s generation, it would undoubtedly be 30-year-old Anderson .Paak.
The west coast musical prodigy is the truth in every sense of the word: Humble, passionate and swimming in talent, he’s been busy playing the circuit for quite some time fighting his way out of the depths of obscurity. But he needn’t fight anymore.
Officially signing on the dotted line just a few weeks ago, Anderson .Paak is now a fully-fledged member of Dr. Dre’s Aftermath family. Joining a label whose legacy includes nurturing the careers of Eminem, 50 Cent, The Game, Kendrick Lamar, and Dr. Dre himself, the sky really is the limit for the NxWorries singer/songwriter/rapper/producer/instrumentalist.
Busy promoting new album Malibu, the eclectic funkster put some time aside to speak to Gigwise about various topics, including chasing his dreams whilst homeless, appearing on Dr. Dre’s Compton album, and whether or not he was hesitant to work with Macklemore & Ryan Lewis following the Grammy Awards controversy including new label mate Kendrick Lamar.
First thing's first, why the dot in the middle of your name?
“Detail. It stands for detail. Always paying attention to detail. I feel like that’s what it took to get here. To get me to where I’m at now I had to do a lot of paying attention. I had to do some developing of work ethic and I had to get some good habits on the go as I didn’t have any before, and it took some time to realise that. But once I started paying attention to detail people started paying attention to me so I put it there in my name.”
And when people don’t use it?
“It shows me a lot about that person.”
You’ve mentioned on record before, as well as in other interviews, that you were once homeless and you had to overcome various other hardships. Did you ever think during the lowest points of your life that you’d one day be where you are today?
“It was always in the back of my mind, yes. I’d always say to myself, ‘There’s gotta be a better ending to this. It can’t be like this.’ Which is usually why I always ended up coming back. If I ever took a break from music, or was down then I’d always say that to myself, and if it wasn’t me saying it then it was my closest friend, Jose, who’s been riding with me and who was at those low points with me. He was always in my ear like, ‘Yo, it’s ok. We’re gonna be good. It’s gonna work out and we’re gonna be crushing it one day, trust me.’
“There was always a lot of supportive people around me, who a lot of the time were helping me out and getting me to the next level. They were like, ‘Yo, you’re gonna make it. Don’t worry, you’re gonna be straight. Just keep doing what you do.’ So I definitely had it in my gut that there was something on the horizon, and that was the main thing that kept me going, like, ‘It’s gonna happen at some point, just keep it poppin’.’ It just always felt worse whenever I just stopped.”
If you stop there’s no knowing if you were one more step away from achieving your dreams…
“Right! And I believe that that’s all that separates a person from the next. The successful person is just the one that didn’t stop.”
What was the moment that made you realise you’d made it?
“Made it? I don’t know. People say that a lot but I don’t know if I feel that way.”
Okay then, how about when you realised you’d achieved your dreams, or were in the same realm as achieving your dreams?
“Well when [Dr.] Dre’s album dropped I was like, ‘Well, this is pretty lit. (Haha!) I’m probably about to be the man now for at least a couple of weeks.’ When that pre-order dropped I was like, ‘Wait. I’m on Dre’s album, the one that was never supposed to drop.’”
Are you saying you didn’t know you were going to be on it?
“I felt like I knew I was going to be on something, but you never know until that shit drops, and that’s the same for any record. People tell you, ‘It’s the single, it’s this and it’s that,’ and then the shit doesn’t even make the album. And remember this was Dr. Dre’s long awaited album. People were like, ‘I worked on it for seven years and it never saw the light of day.’ I heard all kinds of horror stories.”
And it had changed form so many times yet you ended up on the final version…
“Dude! It was crazy. And I was one of those dudes that never thought Dre was going to ever drop another record, let alone that I would be on it. That’s one of the things I never really ever thought of.”
So back when Dre dropped 2001 in 1999, it wouldn’t have even crossed your mind that 16 years later you’d working with him?
“No. That record was huge! I mean that record was so amazing for me. I was just getting into making beats too at that point. But yeah it was so far fetched, the idea that I’d one day be working with him. But he’s always been a part of my musical DNA growing up. So I’ve always been like, ‘Damn, what’s the craziest thing musically that could happen to me?’ and I guess that would have been one of them.”
After grinding away for so long, why do you think your time is now?
“I don’t know. I think everyone’s got their time. Everyone’s got their own unique story to tell, but I think people get it when they want it. When they really, really want it. That’s what happened with me. I was doing a lot of background work, but not as an artist, it was more a drummer for hire type thing, building other bands and producing for other people. I think that contributed to it taking a little longer for me, but honestly, once I started putting out music that started to resonate with people that’s when things started to change. You know?
“When I started putting out music that actually mattered to people then they just couldn’t ignore it. Whether it was music that they strongly hated or strongly loved it didn’t matter, they felt real feelings about it, and that’s when things started to happen.
“I don’t think there’s any kind of rocket science behind it. When you have good material it’s going to get shared, especially in this day and age. It might not be shared at light speed - sometimes it will - but it will get shared. People like to feel cool, like they’ve got the new shit first, and I feel like that’s what happens. It took a while for me, but once I realised that I really wanted it I then started to make some music that mattered. I was sick of putting out projects that just didn’t matter to people. I’m done with that. I wanted to get better. I wanted to put out visuals that mattered, music that mattered, and I wanted to go on tours that mattered.”
You recently dropped your new album Malibu. On it you have a track with ScHoolboy Q called ‘Am I Wrong’. Usually a rowdy and rebellious rapper dipped in gangsta rap influences, how on earth did you get him sounding like Andre 3000 on that particular track?
“Haha! I just played the record for him and he was loving it. I didn’t even think that was gonna be the record at all. I had another one that was like a super ScHoolboy Q sounding record but he was like, ‘I want this one.’ He knew he wanted to do that. He’s been saying for a while that he was ready to move past this rap shit and evolve into some other shit, and I think ‘Am I Wrong’ was a step into that.”
Another artist that features on Malibu is Rapsody. It’s almost as if your careers have mirrored one another. You both came up on popular underground labels - you on Stones Throw, her on Jamla - you both started being called upon to appear on big albums, and then you were both co-signed by Dr. Dre. What’s your opinion of her?
“First of all I feel like she’s probably the best female MC. Fuck it, she’s one of the best MCs period. She’s fucking killing it and she’s a sweetheart. She has the demeanour of an elementary school teacher but then she gets on the mic and she’s a beast, she’s super nice! And I love her to death. I think she’s gonna get everything she wants out of this life. You know? She should move to L.A., that’s gonna be the start of it.”
And then have her sign to Aftermath?
“Exactly! Who knows?”
You feature on the new Macklemore & Ryan Lewis album on a track called ‘Dance Off’, featuring Idris Elba. Were you ever hesitant to do the record based off of the whole Grammy controversy with Kendrick - being that you’re now a part of the Aftermath family - and because of the fuss the Hip Hop community made about it?
“I’m always kinda edgy when it comes to features in general because I guess I have to think about my brand a bit more now. But I liked the tune and I’m a big fan of Idris - I had just seen Beasts of No Nation and I was like, ‘What the fuck!? Hell yeah I’m down.’ And then they were really cool in the studio, and the homie Tunji, who A&Red good kid m.A.A.d. city and all these other great records, he was the one that hooked it up, and usually anything that he gets me involved in I’m 100% down to do.”
So Idris Elba was the selling point?
“It really was. It was great and was a lot of fun, but I definitely thought about that though. I thought about how the Grammy incident may have affected them as a group and how they were perceived at that point. And I remember telling my manager too, ‘How do you think their career was affected after that Grammy thing?’ I just remember thinking about it.”
Anderson .Paak’s new album, Malibu, is out now via Steel Wool/OBE/Art Club.
Click or swipe ahead to see the definitive list of the 50 best rappers of all time - ranked in order of greatness
50. Drake: There would probably have been a wave of hate set to crash us into shore if we didn't include Drizzy in the list. Champagne Papi took over the rap game in 2010 with Thank Me Later and has remained firmly at the top ever since. He is seriously creepy, though. Essentials: 'Underground Kings', 'Back To Back' and 'Poetic Justice'.
49. Schoolboy Q: Gangsta, Gangsta, Gangsta - that's right, Schoolboy Q is a gangsta. As the second best rapper out of the Black Hippy crew, while Kendrick brings the cognitive, Q is fully immersed in the gangsta persona. His rap technique switches every song, making it a diverse but often alienating experience, much like the gangsta life. Essentials: 'Man Of The Year' 'Blessed', 'Gangsta'.
48. Pusha T: Rising to larger prominence after signing to Kanye's Good Music in 2011, Push already had a loyal following as half of hip-hop duo, Clipse. T raps with an unusual, off-kilter style that blends the bizarre with harrowing tales of the life of a successful drug dealer. Essentials: 'Nosetalgia' featuring Kendrick Lamar, 'Exodus 23:1' and 'New God Flow' featuring Kanye West
47. Mick Jenkins: Another fresh injection in this legendary list, this rapidly rising Chicago rapper makes the cut due to his jaw-dropping talent for lyricism and word play. Check out 'Ps and Qs' for a ridiculous journey through the power of alliteration, the track putting any of your GCSE poetry lessons to new levels of shame. Essentials: 'Vibe', 'Jazz' and 'Drink More Water'.
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46. Chuck D: It takes a nation of music journalists to fully encapsulate Chuck D's impact on the hip-hop world. While he isn't the most complex or proficient rapper, his delivery has the velocity and blast radius to take down even the most nefarious political agenda. Essentials: 'Fight The Power', '911 Is a Joke', 'Don't Believe The Hype'
45. Method Man: Em Ee Tee Hach Oh Dee Maaaaaan. If ODB was completely off the rails, Method Man was the group's designated loose cannon. For Christ's sake, who else would rhyme "rubber band" with "green eggs and ham". Genius. Essentials: 'The What', 'Method Man'.
44. Joey Bada$$: Wholeheartedly embracing hip-hop with an important injection of freshness and diversity, Joey sits comfortably among some of the greatest lyricists of our time. Since blasting the rap world wide open with his 1999 mixtape, the rapper has gone from strength to strength. Essentials: 'Hardknock', 'Hilary Swank' and 'Paper Trails'.
43. Kool G Rap: It can be argued that without Kool G Rap, there would be no 'Gigwise Top 50 Rappers'. His multi-syllable rhyming style is a hallmark of Kool G Rap and became a style adopted by Jay-Z, Nas and basically every greatest of all time. For New York, Kool G was the counter-offence against the rising dominance of the West Coast. Essentials: 'Fast Life', 'Take 'Em To War', 'Ill Street Blues'.
42. Roots Manuva: Since everyone believes grime is the UK's sole rap export (it's not), it's good to shake things up a bit and play the Roots Manuva-card. Roots is the UK's lifeline to cult rap. His impact is global, but has never achieved commercial success - despite him being one of the most creative minds in the game. His dedication to big beats and observational verses is second-to-none. Essentials: 'Witness', 'Let The Spirit', 'Movements'.
41. Prodigy: On 'The Infamous Prelude', Prodigy predicted the future and rawly attacked hip-hop artists that saturate the genre with over indulgence and glorification . "All them rap-ass n*ggas with your half-assed rhymes talking about how much you get high, how much weed you smoke, and that crazy space shit that don't even make no sense, Don't ever speak to me when you see me." Prodigy is the real article for gangster rap, spitting vividly about the troubles of growing up in a fiercely unbalanced world.
40. Danny Brown: Definitely the most unique voice of the millennial rappers, Danny Brown's nasal stylings often distract from the fact he's a fucking great rapper. Tales of a ghetto upbringing mixed with hedonistic ventures, this toothless wonder is the star of alternative hip-hop right now and is constantly pushing boundaries with every release. Essentials: 'Dope Song', 'Radio Song', 'Kush Coma'.
39. Del Tha Funkee Homosapien: More than just that voice off those Gorillaz tracks and Tony Hawk Pro Skater, Del was one of the innovators of alternative rappers who threw tradition to the wind and fully embraced their personalities. His flows and cadences were heavily inspired by roots music, making Del the perfect entry-level rapper for anyone looking to get into hip hop outside of 'Mistadobalina'. Essentials: 'Preservation', '30 30', 'Mastermind'.
38. Posdnuos: The main voice of De La Soul - and therefore the voice of the golden age of hip-hop. The 80s was hip-hop's most prolific time but no groups were doing what Native Tongues were striving for. Excluding Tip, Pos was the forerunner for direct, child-friendly, fun-loving, adjective-inspiring rap that was simultaneously engaging and simple - a hard balance to manage. Essentials: 'Potholes In My Lane', 'Ring Ring Ring', 'Ghetto Thang'.
37. Big Pun: Described as one of the Latin Kings of hip-hop, he's a pundamental (sorry) figure in the rap world and is renowned for his ridiculously rapid flow and slight obsession with alliteration. Essentials: 'Still Not A Player', 'It's So Hard', 'Beware'.
36. Black Milk: Curtis Cross is a rapper/producer and an underrated veteran in the world of rap. Coming up with likes of J Dilla and Pharoahe Monch, Black Milk rapidly developed his producing and rapping skills, applying intricacy and a fresh approach to both. For production alone, his latest album, If There's A Hell Below, is a sonic feat for the ears. Essentials: 'Everyday Was Me'
35. Earl Sweatshirt: Some new blood deserves a place in this list, and who better than one of the most creative rappers out there at the moment. Earl could have comfortably stuck to the rape and pillage trajectory of Odd Future's rise, but on his mysterious return, chose to break away from that aesthetic, enhancing his production chops and embracing a range of different flows that are practically untouchable. Essentials - 'Luper', 'Hive', 'Quest/Power'.
34. Missy Elliott: Back in February of this year, Missy tweeted, "The new kids think I'm a new artist and I'm bout 2 blow up." How wrong they are. Missy has affirmed herself as one of hip hop's greats and is the only female rapper with six platinum albums. Essentials: 'Get Ur Freak One', 'Work It'.
33. Ol' Dirty Bastard: He lived life raw, what more can we say? Essentials: 'Shimmy Shimmy Ya', 'Brooklyn Zoo', 'I Like It Raw'.
32. Pharoahe Monch: This NYC is renowned for his complexity. While he doesn't have the mass success of Jay-Z or the everlasting hype of Jay Electronica, Monch holds his own by pure proficiency. With only four albums across a 15 year span, Monch is an artist that savours and obsesses over every rhyme. The least you can do for the man is listen. Essentials: 'D.R.E.A.M', 'Welcome To The Terradome', 'Simon Says'.
31. Snoop Dogg: Dre's first protege in the wake of N.W.A's fallout, Dee Oh Double Gee is most notable for his supporting role as Huggy Bear in Starsky and Hutch. Essentials: 'Still Dre', 'Gin And Juice' and 'Nuthin' But A G Thang'.
30. Xzibit: Before X to the Z was pimping rides and then selling them for parts, he was actually an incredibly accomplished rapper, touring with Eminem while harnessing a direct and poignant flow which left little to no room for strange rap genius interpretations; "Ashes to ashes and dust to dust, I might leave in a body bag but never in cuffs." Essentials: 'What's The Difference featuring Eminem and Dr. Dre', 'Don't Approach Me'.
29. Big Boi: While Andre 3000 was the consistent pop voice in the duo, Big Boi's obtuse and more aggressive lyricism was a flavour of the south that Andre couldn't provide single-handedly. With a flow rhythm that can U-turn at any second, Big Boi may stand in the shadow of Andre in Outkast's more upbeat cuts but he's an artist that is never predictable and pulls out much needed introspection when tracks veer too far into the realm of indulgent. Essentials: 'Snappin' & Trappin'', 'The Train', 'ATliens'.
28. Ice Cube: The main mastermind lyricist behind Eazy E and Dr. Dre's verses throughout N.W.A's discography, Cube forged his own path after the group's inevitable breakdown. He spits with so much energy and power that we can even forgive him for the Are We There Yet family franchise. Essentials: 'Straight Outta Compton', 'No Vaseline', 'It Was A Good Day'.
27. Common: A member of Kanye's Good Music and one of the rappers at the forefront of conscious hip-hop, Common has a silky smooth way with words and often wears his heart on his sleeve in a genre where saving face has become a stale pattern. Essentials: 'I Used To Love H.E.R', 'So Far To Go'
26. Lauryn Hill: The glue that held the Fugees together, with her solo work Lauryn Hill seamlessly blended funk, soul and hip hop on gloriously hard tracks like 'Lost Ones' and 'Final Hour'. 1998's The Miseducation Of Lauryn Hill is still her only solo album, and we're all holding our breath for some new music very soon. Essentials: 'Lost Ones', 'Ex Factor' and 'Killing Me Softly With His Song'.
25. Aesop Rock: A mathematical study showed last year that Aesop Rock has the largest vocabulary in hip-hop by a substantial lead, beating even Shakespeare. A mythical figure in the early noughties underground circles, Aesop's referential and sentimental raps resonate with the nerd culture of hip-hop and those that have a penchant for mental instability and verbosity. Essentials: 'ZZZ Top', 'Battery', 'Citronella'.
24. Slick Rick: The master of storytelling, we forget that proficient MCing is about reflecting reality. While Rick's personal life wasn't often the centrepiece for his rhymes, this rapper's ability to draw an audience and spin a tale with wordplay was is still unmatched to the day. There's a reason Rick is the most sampled rapper in history. Essentials: 'Children's Story', 'La Di Da Di', 'I Shouldn't Have Done It'.
23. Rakim: For better or worse, Rakim monetised hip-hop. While this did lead to some of the culture's most abhorrent instances, as fans of the music we have to believe that the 5'6" wonder's skilful lyricism and ability to weave a story within a bar was for the greater good. Despite Rakim transforming the Golden Age into an age about gold chains and stacks, the competition and hunger behind his lines will always be his legacy. Essentials: 'Paid In Full', 'Follow The Leader', 'Addictive'.
22. RZA: The Abbot, Bobby Digital, The Rzarector, The leader of the Wu-Tang Clan, the RZA is solely responsible for the curation and inception of hip-hop's most creative and musically transcending group. The amount of verses and production knowledge that stemmed from that first exploration of the 36 Chambers is immeasurable. 10 members of the Wu-Tang who lived by the sword for the RZA and his stupendous talent as both rapper, producer and Shaolin master. Essentials: 'Show U Love', '4th Chamber', 'Impossible'.
21. Q-Tip: AKA The Abstract, Tip is a warming and golden aged voice in the world of hip-hop. While trap and pop-rap have taken control of the public eye, there's no music fan alive that can resist the lightning fast flow and nasal tones of Tip. His work with Tribe is unparalleled and his solo career has, while spotty, provided some gems that cross-pollinate the now with the then. Essentials: 'Award Tour', 'Excursions', 'Feelin'.
20. Busta Rhymes: Public Enemy's very own Chuck D named Busta after NFL player George 'Buster' Rhymes. The iconic rapper is a true Leader of the New School who spits with a ridiculously fast flow rife in strong wordplay and playful imagery, questionably sexist but still a staple in the hip-hop world. Essentials: 'Thankyou', 'Gimme Some More'.
19. Killer Mike: The inherited chief of Atlanta, Michael Render spent too long edging the borders of the greats before he became widely appreciated via the success of Run The Jewels. Killer set out to become one of the all-time greats and is getting closer and closer every verse, his delivery has the pushing-power to floor a rhino and his interest in politics and injustice will keep him spitting true for years to come. Essentials: 'Ghetto Gospel', 'Burn', 'Early'.
18. MF DOOM: The champion of alternative rap, Doom pours every part of himself into his music - except his identity. As reflective as the mask on his face, Daniel Dumile's impressive collaborations and wide discography is unique in thematics and has more lyrical depth than any other rapper in history. For all his weirdness and cartoon aesthetics, DOOM is an irreplaceable part of hip-hop culture. Essentials: 'Accordion', 'Rhymin Slang', 'DOOMsday'.
17. GZA: Regarded as the 'cerebral' member of the Wu-Tang, GZA's wordplay and expansive grasp on the world order makes him the third strongest and verbose member of the rap Shaolin. Liquid Swords is evidence enough - GZA spits with a matching viscera of an fresh rapper on the scene right now embedded in a profundity that can only be achieved by years of excelling in the chambers. Essentials: 'Cold World', 'Duel of the Iron Mic', 'Protect Ya Neck'.
16. Raekwon: 'The Chef' of Wu-Tang, Raekwon is arguably the best rapper in the group (after Ghostface... and RZA... and, damn it they're all too good.) He raps with a fierce assonance and every syllable he spits is soaked in punch and purpose. Essentials: 'Eye For a Eye featuring Mobb Deep'
15. Talib Kweli - Rising to prominence and putting east coast rap back on the map with Mos Def and Blackstar, Kewli has solidified himself as a rap veteran who still spits with strength and resilience to this day. He's also another stupidly talented freestyler, combining sentences effortlessly that simply don't belong together. Essentials: 'Get By' and 'Black Girl Pain'
14. Lupe Fiasco: Hailed for his socially aware approach and crazily dense lyricism, Lupe walks the fine line between conscious and super accessible. His freestyling skills are out of hand as well - the true mark of a talented rapper. Essentials: 'Kick Push', 'Jonlyah Forever' and 'American Terrorist'.
13) Black Thought: Often cited for being the bloke off of Jimmy Fallon's show rather than the most consistently show-stopping voice in hip-hop, Black Thought's work with The Roots is an unmistakable piece of history. Thought's lyrical flexibility gathers momentum and can blow any feature performance out of the water with its pure majesty. There is no rapper alive who can turn or stack a phrase like Thought, he understands the craft better than most. Essentials: 'Dynamite', 'The Imperial', 'Thought @ Work'.
12. Mos Def: Simply one of the coolest cats in the rap game, Mos Def sits firmly amongst the greats, due to his vivid rhyming style, as well as the tracks he set in motion after joining forces with the mighty Talib Kwali for Blackstar. He's also got some great acting chops, too. Essentials: 'Hurricane' and 'Mathematics'
11. Big L: After fierce debate, L slips just out of our top 10, but his influence on a sea of huge rappers is pretty undeniable. Renowned for his effortless flow and storytelling prowess, L bounces on every track with accessible intricacy and crisply cool assonance. He also has flashes of brilliance when he raps absolutely relentlessly. Maybe the guy has gills. Essentials: 'Street Struck', 'MVP' and 'Fed Up With That Bullshit'.
10. Ghostface Killah: If not the most talented, definitely the most prolific of the Wu-Tang Clan, Ghostface Killah doesn't seem to have slacked any year since he left the 36 chambers. His scorching flow is instantly recognisable, and while the days of the Wu or his first solo releases were Ghost's peak, check out his work with DOOMSTARKS or with Adrian Younge to see Ghost out of his comfort zone and the best he's spat in recent years. Essentials: 'Apollo Kids', 'All That I Got Is You', 'Run'.
9) Andre 3000: Outkast reinvented Southern rap for the mainstream, and a big part of this phenomenon is Andre 3000's idiosyncratic verses. They stretch across the spectrum of disgusting, informative, catchy and hilarious, are packed to the brim with heart - and are timeless. It's a bold claim, sure, but Andre 3000 is the Jimi Hendrix of rap. Essentials: 'B.O.B', 'Aquemini', 'Elevators'.
8. Eminem: Mr Mathers, Slim Shady, B-Rabbit; whatever you want to call him and whatever you may think of his more recent output, he's responsible for three of the most seminal hip-hop albums of all time. The Slim Shady LP, The Marshall Mathers LP and The Eminem Show all shine brightly in uniquely different ways, from the warped and deranged alter ego of Slim Shady on 'Brain Damage' to the ferociously precise spitting of Eminem on 'Till I Collapse'. Essentials: 'If I Had', 'Criminal' and 'Say What You Say'.
7. Kanye West: A true artist through and through, Kanye West is a genius and there's no denying that. For every young kid in Chicago over the last decade that decided to embrace their personality and use it to create, whether it's music or pottery or game design, Kanye is the figure that stands for this progression. Forget celebrity status, forget Zane Lowe interviews, forget Glastonbury, as a rapper and an artist, Kanye West is this generation's creative idol. Essentials: 'Power', 'Through The Wire', 'Last Call'.
6. Jay Electronica: Jay is the true backpacker's artist, adored by any die hard fans of hip-hop music. Despite a lack of consistent content and his refusal to drop that debut album everybody's longing for, the elusive New Orleans rapper makes our top 10 because he's simply one of the most interesting rappers out there. Essentials: 'Exhibit C', 'Eternal Sunshine' and 'Better In Tune With The Infinite'.
5. Jay Z: 'I'm not a business man, I'm a business, man.' Jay has evolved into more than just a rapper, dipping his toe in every possible business venture imaginable, from fine art to music streaming with his shaky Tidal venture. Take these aspects out of the equation, though, and you have one of the sharpest lyricists and charismatic artists of our time, with Jay painting stark and unforgettable images of life as a hustler on the streets of New York. Essentials: 'What More Can I say', 'December 4th' and 'D.O.A'.
4. Tupac: As far as anyone embedded in the music world, Tupac is the poster-boy for hip-hop and ideals of peace. What Tupac should really be revered for is his unhinged personality and the writing products that stemmed from this walking paradox. An endorser of music above all things, Tupac was simultaneously manoeuvring in shadier territories giving a duality to his music, a genuine facet of genius that is often swept under the carpet in order to promote some half-baked figure of 'peace'. Essentials: 'Untouchable', 'Ghetto Gospel', 'California Love'.
3. The Notorious B.I.G: It's all 'business instead of games' (B.I.G) as the late Biggie Smalls leapfrogs (probably with great difficulty) over Tupac for the No.3 spot. Regardless of the arguably negative impact he created by bringing 'money rap' to the forefront of hip-hop culture, nobody can deny his lyrical talents and infectious flare for colourful story-telling. Essentials: 'Hypnotize', 'The Wickedest Freestyle' and 'Warning'.
2. Kendrick Lamar: An artist that has dragged West Coast rap out of the dirge of hedonism and excess, Kendrick is an intellectualist voice of a people who are subjected to a treatment unbefitting of them. There is no wiser artistic voice in the music world. While Kanye inspires and Drake entertains, Kendrick strives, and always will strive, to inform the unformed and stimulate the minds of those that believe they are mindless. Essentials: 'A.D.H.D', 'm.A.A.d City', 'Wesley's Theory'.
1. Nas: The best rapper of all time, Nas represents the bridge between the genesis and progression of the culture of hip-hop. He is deeply invested in music - but something ultimately much greater than the scope of loops, breaks and verses. Originally, Nas was a prodigious voice in a culture that is programmed to try and stifle him. Hip hop, at its core, is a reactionary art form, and no one is more emblematic of that fact than Nas. Essentials: 'Memory Lane', 'NY State of Mind', 'Ether'.
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More about: Anderson Paak
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