Oasis hero chats football with the former Manchester United defender
Elliot Mitchell

15:16 4th November 2014

This weekend saw Noel Gallagher interviewed by former footballer and pundit Gary Neville. Watch it below.

A dedicated Manchester City fan, Noel talked in depth with the former Manchester United defender about last weekend's derby between the two teams, the chat remaining in good spirits despite the intense rivalry.

The interview also saw Gallagher recount his time with Oasis, who have played both of Manchester City's stadiums in the past, most notably the huge Maine Road gigs in 1996. The frontman also revealed that Oasis were once asked to invest in the club.

"When Franny Lee owned City, they asked us," he said. "I actually went for a meeting with him. It was nice to be asked, but I prefer being a fan."

Watch the interview in full below:

It was recently announced that Noel Gallagher would be releasing his second solo album Chasing Yesterday in March 2015, and will be touring the UK in the same month.

Full dates are listed below, for tickets and more information visit here.

Tues 3rd March Odyssey Arena, Belfast
Weds 4th March 3 Arena, Dublin
Fri 6th March Capital FM Arena, Nottingham
Sat 7th March The SSE Hydro, Glasgow
Mon 9th March Arena, Manchester
Tues 10th March O2 Arena, London

Below: Happy birthday Noel Gallagher - the 10 best songs of his career

  • Oasis - 'Waiting For The Rapture': Taken from the band's underrated Dig Out Your Soul, this song signals an evolution from their '90s Britpop sound that makes it even more tragic that they never recorded another album.

  • Noel Gallagher's High Flying Birds - 'The Death Of You And Me': The instrumental to this song is surprisingly light and fluffy, but Gallagher's vocals, even when they're in falsetto, provide just enough grit to cut through any potential sickliness, and strike a perfect balance.

  • Oasis - 'The Importance Of Being Idle': The opening guitar riff itself is a strong enough intro to justify the song's existence, but the "I don't mind" bridge gently slides the rug out from under the listener's feet just enough for them to stand up and pay attention. The song builds to a chorus which never quite arrives, and yet it never feels incomplete.

  • Oasis - 'Live Forever': The first Oasis single to reach the top ten in the UK, 'Live Forever' manages to be both euphoric and melancholic, delivering moving, introspective lyrics in an entirely unsentimental tone. Always a favourite at festivals.

  • Oasis - 'Don't Look Back In Anger': With lyrics like "Please don't put your life in the hands of a rock 'n' roll band who'll throw it all away", 'Don't Look Back In Anger' is an intelligent, nostalgic, self-deprecating beauty.

  • Oasis - 'Stop Crying Your Heart Out': One of fairly few Oasis songs to be accompanied, for the most part, by a single piano, with very little guitar. The lyrics are unashamedly sentimental, yet with none of the saccharine falsity often associated with sentimentality. When Gallagher sings: "All of the stars are fading away, just try not to worry, you'll see them some day", you believe every word.

  • Oasis - 'The Masterplan': "That's my favourite song I have ever written I think," said Noel of 'The Masterplan'. "I was really fucking proud of it and I still am." Rightly so.

  • The Chemical Brothers - 'Setting Sun': Noel provided the vocals for this neo-psychedelia number, and though it's the probably the instrumental parts that are the most iconic, when the unmistakable tones of Noel Gallagher cut through the electronica, the song steps up a level from its contemporaries.

  • Oasis - 'Champagne Supernova': Noel admits that "some of the lyrics were written when I was out of it." That explains the chorus. We've no idea what "Someday you will find me caught beneath a landslide in a Champagne Supernova in the sky" means, and we don't think Oasis do either. Despite this, or perhaps because of it, 'Champagne Supernova' is one of the band's greatest songs.

  • Oasis - 'Wonderwall': Never has a song that is essentially all on one note been quite this effective. It's hardly a shining beacon of Liam Gallagher's vocal gymnastics, and yet it's got a certain undefineable charm that's caused it to become quietly iconic.

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