by Ben Butler Contributor | Photos by WENN

Tags: Radiohead 

An 8-year-old reviewed Radiohead's 'A Moon Shaped Pool', and it is brilliant

Beth Gordon's 8-year-old son gives us a helpful track-by-track review of Radiohead's latest

 

An 8-year-old reviews Radiohead's new album A Moon Shaped Pool Photo: WENN

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So Radiohead's latest, bewildering, brilliant album is here. But, if you're at the water-cooler and don't know what to say about it, here's a handy review by an eight-year old so you know what's what.

Beth Gordon recently shared on Twitter her son's track-by-track review of Radiohead's ninth album, A Moon Shaped Pool - which you can listen to here.

After nearly the entirety of the internet chipped in with their thoughts on the collection of tracks, it's interesting to see what the youth of today think about indie-music's shining light.

The little scamp called 'Burn the Witch' "festival like" which is a pretty glowing reaction compared to 'Daydreaming' which gets, "A long song kind of boring" - brutal. Track four, 'Desert Island Disk' is initially the child's favourite, yet later 'Tinker Tailor...' gets a special circle round it and is now called, "My favourite song on the album".

For 'The Numbers' he says, "reminds me of Kung fu Panda", which we assume is a good thing? There have been quite a few sequels, but if it's the original you'd assume it's a positive. 'True Love Waits', the album closer is assessed as "could make people cry", not wrong there, either. At this point I think I'm meant to say, 'This kid gets an A'.

You can see the full review here, and to be fair a lot of it is spot-on, although the 7/10 for an album that makes you cry is a bit harsh:

Head on over here to read our review of the album, which is a little bit more in-depth.

Below: Radiohead's A Moon Shaped Pool - what The Critics have to say


Ben Butler

Contributor

An unapologetic lover of everything from UKG to garage rock, to anything indie or emo-orientated; Ben has been making up for lost time by going to just about any festival or gig he can sneak into since graduating from University. Having cut his teeth writing for forward-thinking publications like 1883 Magazine, The 405, Gigwise, Public Pressure, and Haptic World he has relished writing on music culture's most ridiculous, asinine qualities to its stratospheric heights. He can be found @Benjaminabutler where he'll be spouting nonsense on anything from the state of modern house music, to the UK festival scene and pop-punk bands or how bar tokens are the worst thing that has happened to live events, ever.

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