Boasting a remarkable catalogue of collaborations and stints in groups such as Modest Mouse and the Cribs since leaving the Smiths – this time around Marr has offered himself exposed and vulnerable. The Messenger is bright and full of expert riffs and trilly improvisations, making for a really great listen, packed with skill and hard work. The album isn’t flooded with rickenbacker-esque melancholy, but more a polished rock and roll treat.
‘I Want the Heartbeat’ opens with hypnotic guitars, joined sinuously by a heavy beat and a metallic bass, with Marr’s warm and inviting voice creeping in. Not known for his singing, his light tone can seem quite uncertain but this doesn’t hinder the album in any way. With his expert knowledge and techniques prevailing throughout. ‘European Me’ opens with an impressive six-string stutter, giving Marr enthusiasts a thrill as the tune moves into a more energetic track with a Smiths undertone.
The album is impressive and Marr has made an effortless production with no frills, however the record could be lost on a less fervent fan. Yet, the more you listen to the EP, the better it gets and the numerous musical influences make for a quite exciting collection of songs.
‘Say Demesne’ uses hollow echoes over dramatic synths, creating a hauntingly beautiful track, tied together with Marr’s husky vocals and brilliant guitar trills. Then, ‘Sun & Moon’ brings the album back towards a garage rock feel. Which flows into ‘The Crack Up’ – one of the best tracks – full of bass riffs, chimes and wobbly reverbs. Overall, Johnny Marr’s The Messenger is a confident record, with a lot of energy and talent.
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